ARTIST STATEMENT

My work is an interrogation of the skeletal remains of the 20th‑century built environment. I work primarily with heavy structural I‑beams — the foundational elements of bridges and skyscrapers — reclaiming these massive remnants from the demolition sites of American infrastructure. By carving into these industrial giants, I transform rigid, utilitarian steel into expressive forms that challenge the material's inherent resistance.

Visually, these sculptures draw upon the language of early 20th‑century Cubism, breaking down the beam's perceived solidity into a multifaceted exploration of space and perspective. Much like the Cubists sought to represent an object's totality through fragmentation, I strip back the steel's \u201cfunctional\u201d identity to reveal a complex, geometric abstraction.

In an era increasingly defined by the ephemeral and the virtual, this practice serves as a necessary antidote to the digital world. The work demands a physical presence; it is defined by immense weight, the heat of the torch, and the permanence of oxidized metal. By repurposing the \u201cleftover\u201d steel of the previous century, I aim to shift the narrative from obsolescence to renewal, creating a tactile reality that stands in defiant contrast to the weightlessness of the screen.